No Hate I will listen
Joy, 18 ♔ Film enthusiast, feminist, pansexual. Gloomy and melodramatic, quiet and easy to talk to, easily bored and constantly stuggling to be happy. Natalie Wood is the queen. And this is my incredible girlfriend!! You can always talk to me, don't be shy (:

If you support gay marriage reblog this. If you’re on the homophobic side, keep scrolling.







As a bisexual, it sickens me that some people WILL keep scrolling.

As the straight daughter of a gay man, it sickens me that some people will keep scrolling. 

As a straight girl with a basic understanding of equality and love, it also sickens me that people will keep scrolling.

As a straight Christian woman, I pray that people will not scroll past this. Love, not judge.

I’m re-reblogging for that last one.

emily fields + smiling bc paige mccullers (s1- s5)


Storm in a Teacup (1937)

Audrey Hepburn and Gregory Peck, photographed by Alfred Eisenstaedt in William Wyler’s Roman Holiday, 1953.


Vivien Leigh arrives in the foyer of the Odeon Theater at Leicester Square, London, England, to attend the premiere showing of ‘The Inn of the Sixth Happiness’, November 23, 1958.


Each one of Andrei Tarkovsky’s films is an intense exploration of the possibilities cinema offers to storytellers. They also ask much of the viewer. With each invitation into their cinematic landscapes, there is in addition a challenge to learn the language of these film worlds and the essence behind the visually and aurally presented life. As a filmmaker, Tarkovsky’s touch is very much present in how I personally understand and relate to film, and coming from a background in poetry, for me, this acclaimed “poet in cinema” channels the true poetry that cinema is capable of offering to audiences.

When I speak of poetry I am not thinking of it as a genre. Poetry is an awareness of the world, a particular way of relating to reality, said Tarkovsky. From the perspective of a filmmaker, Tarkovsky allures with his grasp for the art of cinema. Still, and more importantly so, from the stance of one who shares in this experience of human life, Tarkovsky allows us to connect with the heart of cinema through his portrayal of emotions and truth, in other words, what makes us human. In a Tarkovsky film, we face life.

Mirror is a true masterpiece and an unforgettable cinematic experience. It is a world that I enjoy visiting. Nostalghia and Stalker, masterpieces in their own right, share a close spot to it. It is difficult to rate the films of Andrei Tarkovsky; however, this order of these sculptures of time will have to suffice for now. To one of the great artists of cinema…cheers.

(original artwork by Mark Neil Balson)

Le cœur a ses raisons que la raison ne connaît point.


Maria, West Side Story (1961)

Lauren Bacall and Humphrey Bogart behind the scenes of The Big Sleep (1946)